Visual, Sonic, and Performance Artist

​​

My practice is a constantly evolving constellation of disciplines—performance, poetry, video montage, ink, and collage sculpture—each medium serving as a vital limb in an embodied, reflexive, and instinctual creative process. Across these forms, I cultivate a body of work that is ornamental, layered, and cybernetic, curious in the tactile and the symbolic, the intuitive and the technological. Visually dark yet playfully abstract, my work is sometimes suffused with a sensual and often other-worldly atmosphere, where spontaneity communes with precision, and the political is rendered in intimate gestures.

​

Drawing heavily from lived experience, my interdisciplinary background in both technical and performative domains feeds directly into my art-making process. I position the body as both subject and tool—a vessel of resistance, perception, and transformation. I explore the fluid intersections of human and nature, the conscious and subconscious, through a philosophical and visceral lens, aiming to assert autonomy—mental, bodily, and artistic—through fragmented narrative, poetic dissonance, and formal experimentation.

​

My current body of research, while occasionally aesthetically abstract, investigates the political image. I interrogate and recontextualize themes such as technological religious exceptionalism, the duplicitous intimacy of material exchange, and comparisons between artistic labor and art-world performance economies  (Julia Bryan Wilson's 'occupational realism'). I am particularly invested in how media, surveillance, and algorithmic systems can be subverted or aestheticized to serve as tools for digital activism, speculative storytelling, and cultural critique.

​

As I continue to expand into realms such as robotics, wearable electronics, and coding, I remain interested in the ways technology shapes, distorts, and redefines intimacy, identity, and embodiment. From information architecture to the construction of digital personas and doppelgängers, I aim to reveal the tensions between the real and the virtual, the self and the interface. My work aspires not only to alter perception or incite reflection, but to open dialogic space—within communities and institutions alike—around what it means to be human in an increasingly mechanized, abstracted world.

​

Ultimately, I envision my career evolving toward cultural curation, entertainment management, and travel-centered artistic collaboration—fields that allow for immersive engagement across disciplines and geographies. I am committed to creating platforms that nurture collaborative knowledge production, critical play, and aesthetic multiplicity, with the hope that my practice can remain in flux, responsive to the changing political, environmental, and technological landscapes that define our shared reality.